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Folk don’t want the messy truth. Not that I have seen, at least not my messy truth. They want uplifting tales of hope, poignant tales of sorrow, struggle and overcoming into victory and joy that carries them up with it, and a shiny list of tools to get there. I can’t offer that.

I remain trapped in the journey. I slog along in a morass of something beneath evolved, thrashing in some sort of swamp with no enlightened path shedding a glow of epiphany through the sagging webwork of moss and spiderwebs that is my mind. I present my sense of hopelessness.

There was a bridge over it for a while, a stable earthen construction bordered by smooth logs, lifting the pilgrim over the marsh but not too high, following the vagaries of life but not dropping too low, and it seemed worthwhile to try to be a better person because it appeared possible. But the things chased me, the memories, mistakes, all I’ve done wrong, the shame, and they wouldn’t stop. The earthwork ended, and I fell straight in. Now the things have me again. They surge behind, around and in front, darkening my mind, eroding my thought and eating the hopes and the goals in front of me. They are monsters that chew, swallow and dissolve my lessons and my resolutions without cease.

In 2001 the people in my life suffered my psychosis, which lasted years. At the end of it I was exiled. I was expected to be ashamed of and accept responsibility for behaviors I could not control but only scream at from a tiny cage in my mind as I watched in horror. I was/am so sorry for the lives that I affected in such bad ways. I was/am ashamed, too, but I couldn’t let go of the idea that I was sick and that it was so unfair to be judged for having a disease. I very much wished I was dying of cancer instead of going around with the Sword of Suicide dangling over my head. People would sit at my bedside and call me brave for surviving as long as I had. Instead they spit on me, and if I’d succumbed to my illness they would have spit on my grave. My attempts to make amends were laced with bitterness and, justifiably, every one was refused. The worst part is, nowadays when I have a relapse episode, the self-loathing and bitterness return. How self-centered it all is. The mixed episodes have been returning with greater frequency, the brain fog is overwhelming, and now I’m in crisis again, which has not happened to me in a very long time. Hence this post, probably.

Here is what I am doing. DBT tool: mindfulness. DBT tool: Opposite action. Other tools: Masking, since it seems to be the only way to get along. Focusing on gratitude, gratitude, gratitude. Lifting other people up and cheering them on whenever possible. Forcing myself to go outside and play.

Most of these things have worked for a while but are now falling apart.

So for today, I have no tidy conclusion. I was trying to write things with tidy conclusions but that made me quit writing altogether. It was no more than a feeble attempt at masking anyway, only on the page. Then I tried writing my messy truth and no one wanted it. But that’s okay. Why should they?

Authenticity all the way.

My wish for you is that you are secure in the knowledge that you are valuable, no matter how you feel. Have a wonderful day.

I’ve found there have been an unusual amount of visitors lately, which is delightful and I’m very grateful! And I’m sorry there’s not much here that’s new.

Historically, I’ve been largely writing into the void. I took a long break from any writing at all—a break that spanned years, some of them quite difficult. As I’ve returned to writing, this site has been pretty quiet and the unfortunate consequence of this is that it got sidelined in favor of other backed-up projects.

The return to writing – mainly pertaining to the characters in my fantasy mythos but other things as well – was either the trigger for my bipolar episodes to resume or the reaction to their theatrical resurgence. Honestly, I’m still trying to figure this one out.

I missed the guys so much, especially Rushak. Once they reappeared, I was both overjoyed and apprehensive. And they brought friends! With weird symbionts! I just can’t trust my psyche. I didn’t know what was going to happen. Hypomania, crushing depression, paranoia … It’s effin’ rocky. Now that I’ve got years behind me, I understand stuff, though, and am piecing together what it means.

There are aspects of this journey I very much want to share in the hope they might resonate and offer comfort, ideas or help of some kind.

I have a lot of ideas brewing once more, challenges and solutions to explore, and I will be throwing a lot more effort into posting material with relevance and at least a semblance of consistency.

Upcoming topics:

Fear of failure

Victory

And probably related fiction and/or poetry (oh joy)

So, thank for visiting, for being here, and I hope to see you again.

I have moved to the floor out of respect for an older woman who has arrived, a friend of the hostess. The cool of the brown carpet chills me, though at my back the woodstove throws heat which rises up and over me. The long, lustrous brown table, cluttered with fruit and nuts and wine and books and breads and beer, separates me from the man who brought me here. He is sprawled upon the couch opposite, the only male among the gathered poets, the whites of his eyes glowing between the dark curls of his hair and the bushy mustache, darker still.

I look around at the assembly, women all, of every age and description. Some are old and well-read, some seasoned writers; the young ones bring imagination instead of experience to their art. The smell of their wine is something I cannot escape, acute and heady like strong scented flowers. It makes me slightly dizzy.

I have not been to a gathering like this in too many years. Farm life has dulled the edge of my wit. Happiness and acceptance have made me a poor critic. I cannot impress these people, I think, nor even present myself as worthy to be among them.

It has been a long time since I gathered up words like branches and tossed them into huge, tousled piles for the sheer joy of their design, their many textures and shapes making a rat’s nest of forms and colors: iridescent purples, shrieking magentas, dried-out grays, with knobby joints like an old man’s knuckles, or skewer ends sticking out everywhere.

The young girl, who feels the need to clarify that she is not a Rastafarian—perhaps because of her vivid sweater of yellow and orange and green and red—heaves words together with luxurious abandon, bathing herself in in the sound and flash of light, in a glory of enthusiasm and innocence. They mean almost nothing to me, but the sensory experience of them thrills. She belongs here, with the word artists.

The older women, with their carefully written lines, convey in images and strong voices ideas so well-formed that I feel inarticulate. Ideas spark more ideas, criticisms spark inspirations, agreements, disagreements, leaving everyone full and helped. I say little.

Oh, I am keenly interested, but am rendered wordless. I am inspired, but I don’t belong. I write “that stuff–no offense.” I know long before my turn arrives that my visions have no place here. I would like to transcend my genre, but I feel I have to apologize for it. I feel like I need to defend it. I feel like these narrow-minded scholars could benefit so very much from fantasy, if they would only listen.

Like in Amadeus, “too many notes” becomes the accusation against me, but I laugh it off. I know there is a tendency in my work towards abundant description. I am not defensive about it. When I finish, they exclaim and clap.

When can I read this book? What happens, what does he do with the infant?

He names it, of course. If he doesn’t there would be no story, Karla observes. Karla is no dummy.

And here I am, explaining it. Alice wants to know how I can write that stuff. “This came to me when I was only ten, that is why it is the way it is. I write it because I have to.” Why do I write that stuff? “If I don’t, I go crazy.” Natural answers to reasonable questions.

That stuff. The label that sticks.

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Losing focus . .  . it is the first sign of change for the worse. It means that I am either stepping up from hypomania into irritable disorientation and rage; or slipping down into useless depression. It doesn’t take me long to figure out which. And the feeling of losing focus, which I’ve been lost in among the ravages of paralyzing depression, is a terrible thing. So, since it is my current condition, I will try to be mindful and describe the feeling.

Losing focus is trying to grasp a tendril of smoke that wasn’t smoke before. It’s anxiety producing.

It feels like . . . hmm.

Searching among fragmented paths for a way home

Fermented clouds soaking the brain

Plucking at harpstrings of dry wool

Bird bashing head against green-glass walls, while frenetic wings continue flapping

Slinky nooses around a mind of gleaming burlap in the night

My head hacked on, off, and into. . .

So . . .

If I were focused, I could make poems of these.  I wish I were.  I am trying to get there.

Cow

I have been fighting depression and anxiety a great deal of late, and hard at that.  As the behavioral-ists say, as if I were a cow, “Have you been ruminating again?” Because, they say, “ruminating” upon feelings, occurrences, or memories that have me really pissed off, frightened, or saddened reduces my chances for victory. Well, yes, excessive obsessing can do that.

Yet I find that having these feelings, occurrences, memories, or whatever else cycloning around in my racing thoughts makes the sedentary, passive activity of “rumination” quite impossible.

Me no moo.

Rather, focusing those preoccupations through writing actually can help. Writing is not a form of “distraction” found in a Distress Tolerance list; neither is it a “pleasant activity.” Most especially, it is not rumination. Writing is looking hard for the splinter in your hand and stabbing it with a needle until the splinter comes out and you realize why you couldn’t see it without going through the pain: it was a tiny sliver of white wood, burrowed in there, invisible.

Sometimes you’ll do it through poetry (even if the esthetic results are dismal, the process is the point).

Sometimes through fiction.

I highly recommend writing in a journal (that’s what I do; I write in a journal). I don’t recommend “journaling”.  God, no! “Journal” must never, ever, become a legitimate verb! Please don’t help it to be so.

Or, and this is no new thought either, you could puke your guts out in a blog, which sometimes edifies, but usually just embarrasses. And yet we keep on doing it anyway! Go figure.

It may not solve your problem or cure your depression, but it’s bound to occupy your mind and could help you work through something, stall a suicidal impulse, become a prayer, slow the racing thoughts, ease the anxiety, be the only entity in the universe in whom you can confide the real you. . .whatever it does, it’s better than “ruminating.”

I may be obsessive, but I am NOT a cow.

Don’t get me wrong. It is late November, and at this moment, I’m despairing. The state that, without fail, evokes the urge to write, and the urge to pray.

However, exhausted from caring for rescue horses and drowning under horrid decisions, unfortunate news to deliver, the impossibility of solitude, the loss of youth, and the probable loss of the only draft of my novel’s first chapter that I will ever have found “perfect,” I have indulged in my first-ever Vodka Binge.

The Lord, and my family, deserve better.

I am LUCKY AND BLESSED to have a FAMILY! I am blessed to have a home. Of course I know this! It’s crazy lucky, and could only be the result of God’s direct intervention. My husband is the hero in this tale, for reclaiming a crazy bipolar freak who had done him every imaginable wrong during a prolonged psychotic episode.

But this used to be my house.

There were candles on my upright piano, and the occasional wine glass left there too beside the sheaf of hand-written music, the residue of petite sirah, scent of blackberry and cloves, dried into the little hollow where the hand-blown stem opens out into a pink blossom of glass

There were shelves lining the walls, with my books, a mad eclectic mixture of fantasy, history, witchcraft, Bibles and Biblical texts, psychology, poetry, all the weird fiction I was assigned to read in college, wildflower books, the Irish language, and guitar chorded music books, Led Zeppelin, Kate Wolf. My Breyer Horse collection circled the living room, right below the ceiling. My childhood remained a vital piece as I approached thirty, and I didn’t want anyone to know me who didn’t understand that. My small circle of friends knew, and made me feel that they thought it was cool.

There was a room with a Macintosh Classic II, the place where I worked on my novel and my art, where the pages were spread all over the floor, the illustrations the most raw, and Rushak’s presence was so strong I could feel and smell him in there as if he were real. Mom sent him a birthday card one year. Oct. 8. It was the coolest birthday card I would ever receive.

KRWN (Farmington, NM) was a classic rock station then. I could hear Elton John’s “Funeral for a Friend.” I could hear “Green Grass and High Tides” by…Ozark Mountain Daredevils? I had a boom box on a shelf over my Asian-patterned rug. There were “tapestries” on the wall. Neo-hippie crap.

I had the most awesome roommate for a time. He had become a high school English teacher (there is no higher calling). He loved Kurt Vonnegut. In this house, there was a shrine erected to Kurtz (of Joseph Conrad’s Heart of Darkness and the movie Apocalypse Now)  every Samhain (Day of the Dead) for reasons that escape me at this moment, but they made perfect sense to my roomie, may he rest in peace. He was privileged to smell the most epic of my farts, after which I collapsed from some sort of interaction from my various meds, and he took me to the hospital in the middle of the night.

There were guitars and pennywhistles and drums and pianos and keyboards everywhere. There were charcoal and pen-and-ink and watercolor illustrations of my novel on the walls in the kitchen and living room, right were everyone could see them, vibrant and slightly “off,” personal and disturbing, and I wanted people to see them, and they did, and I felt a little bit understood.

It smelled like incense in my house, and candles. My mom once said it smelled like a candle shop. That was the highest praise anyone could give my home, for in Ridgefield, Connecticut, in the seventies, the Candle Shop was the most magical place in the entire universe. Even counting the occasional visit to a horse farm.

I lived alone, except for the brief time with the roommate. There was one cat, two dogs, a horse and a burro, who all depended upon a bipolar creative type stuck in her right brain most of the time. No one minded.

Mainly, there was no TV in my house. (Well there was, okay, a little b&w with a screen smaller than this Mac notebook’s, which was only used for viewings of classic Star Trek). My mom gave it to me when I started college at the U of U.

My point is that I used to have this house…it was a shoebox that had been for some reason picked up off an oil or coal or some crap field in NM and plonked down right here…and I lived in it, and it was mine, and I had a sense of place.

Now, ALL my books are crammed into a closet of an “office” that my husband had once blocked off and constructed to be my creative space…the ONE thing he could do to show me he supported this part of me…NONE of my paintings, charcoals, or any other art besides a picture of a rescue horse are visible to anyone…NONE of my books or bookshelves remain outside this office…ALL the spaces that friends and the general populace can see are cluttered with dirty shoes and boots and stacked with crap…the house smells like several catboxes…a dog pack lives here and craps on the floor and tracks mud all over and the cats and dogs ruin the furniture…I CANNOT play an instrument if anyone is at home…ALL of my instruments are hidden away…I no longer have time or the self-esteem to be in a band…I no longer read, because there is NO ONE with whom to discuss anything I have read…I no longer read because I have no bedroom or quiet area that will not be disturbed in which to read without a TV blaring or children arguing…I no longer write because my writing studio has become the office in which I must update the Horse Rescue Blog, or enter Horse Rescue stats, or check Horse Rescue Email, or drop any personal pursuit in favor of Horse Rescue outreach or finances, and the only computer in here, a Macintosh, now belongs to the horse rescue, not to me.

The only draft of my novel’s first chapter that I found perfect was not backed up in time to avoid being a casualty of the Blue Screen of Death on my Windows computer. I know it’s my own fault, it wasn’t backed up, but who has time to try to put a bunch of crap on a disk on a computer whose disk drive doesn’t work?  It’s me, the person who cannot sit at a computer and enter statistics and generate receipts and acknowledgements and updates and health data on a double-digit number of needy horses; actually, physically care for them; and be there for kids and husband. Let alone, self.

Fortunately, no one reads this crap. I’ve gotten steadily drunker as I’ve rambled here. I’d be done long ago except that no one could read this because of the typos. There is a tremendous amount of back spacing involved.

I feel like throwing up. There is nothing to look at but my nerveless fingers upon my jeans stained with the filth of about a week of mucking stalls, I can’t think about anything but how crappy I feel. If there was ever a point to this post, I’ve forgotten what it was, except that once I had a home that was mine, and now there is nowhere in this overgrown building that I can feel safe with my feelings, that is, my real, honest, own feelings, that are mine, where I can think clearly and create write and practice.  There is no refuge anywhere. I used to be able to at least write, even though the lofty elite authors and artists and poets of Southwest Colorado LITERATURE don’t consider my genre or my work to be of any value…. but now… nothing.

I feel no sense of place. I know that eventually this feeling, like all feelings, will be replaced.

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